Modes of Literary Behaviour in Christian-Islamic Encounters in the Iberian Peninsula: Pseudo-Turpin versus Peter the Venerable
Identifieur interne : 000341 ( Main/Exploration ); précédent : 000340; suivant : 000342Modes of Literary Behaviour in Christian-Islamic Encounters in the Iberian Peninsula: Pseudo-Turpin versus Peter the Venerable
Auteurs : Matthias M. TischlerSource :
English descriptors
- Teeft :
- Adversus iudaeorum inveteratam duritiem, Bedae venerabilis opera, Behaviour, Biblioteca nacional, Brepols, British library, Cathedral chapter, Charlemagne, Charles julian bishko, Christian faith, Christian truth, Christian viewpoint, Clarendon press, Cluniac monasticism, Cluny, Codex calixtinus, Collectio toletana, Compostela, Confutatio alcorani, Contra, Contra petrobrusianos haereticos, Contra sectam saracenorum, Corpus christi college, Corpus christianorum series latina, Corpus scriptorum ecclesiasticorum latinorum, Dialogus contra iudaeos, Dramatic change, Estudios jacobeos, Expositio psalmi cxviii, First time, Fundamental change, General dominance, Giles constable, Glei, Goliath, Herbers, Heresy, Iberian, Iberian christianity, Iberian peninsula, In circle, Islam, Jacobi, James kritzeck, Jean fraipont, Jean leclercq, Klaus herbers, Koran, Kritzeck, Last resort, Latina, Liber, Liber sancti jacobi, Libros, Libros regum, Literary behaviour, Literary genre, Magno studio, Manuscritos latino, Matthias, Medieval exegesis, Medieval tradition, Michael petschenig, Middle age, Much less, Muhammad, Municipale, Muslim, Nationale, Noia, Norman daniel, Other hand, Petrus, Petrus alfonsi, Petrus venerabilis, Physical confrontation, Physical force, Portuguese monastic history, Primam partem samuhelis libri, Prologue, Provenance, Provenance unknown, Psalmum cxliii, Quae, Quaestiones super libros regum, Quod, Raban maur, Rational argumentation, Regum, Research project, Saint bernard, Sancti, Sancti ambrosi opera, Santiago, Saracenorum, Seconde croisade, Sectam, Sterreichische akademie, Summa totius haeresis saracenorum, Tatmensch oder heidenapostel, Theological trial, Thirteenth century, Tischler, Turnhout, Twelfth century, Ultima ratio, Ultimate truth, Venerabilis, Venerable, Vols.
Abstract
This book probes the nature of the clash of cultures as a process of identification and classification of the unknown. ‘There is no world of thought that is not a world of language and one sees of the world only what is provided for by language’ (Walter Benjamin, 1936). In the medieval Mediterranean, cultural groups were frequently labelled, fixed, and identified by language, and these linguistic groupings were consistently in states of conflict and/or exchange. This collection explores various expressions of cultural clash and exchange, and examines some of the ways in which language was used to express difference, to mark out cultural difference, and to further label those cultures – often as alien and inferior, but sometimes as different and worthy of respect. This theme unites papers coming from a range of perspectives and engaging with a whole series of cultural interchanges and conflicts. It brings together work on a wide range of peoples – Latins, Byzantines, Muslims, and Jews – commenting on and writing about each other, as well as a wide variety of different genres, from theology to farce. This volume seeks to offer a broad and wide-ranging approach to understanding the world at the time of the crusades through the words of participants and observers.
Url:
DOI: 10.1484/M.IMR-EB.1.101137
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In the medieval Mediterranean, cultural groups were frequently labelled, fixed, and identified by language, and these linguistic groupings were consistently in states of conflict and/or exchange. This collection explores various expressions of cultural clash and exchange, and examines some of the ways in which language was used to express difference, to mark out cultural difference, and to further label those cultures – often as alien and inferior, but sometimes as different and worthy of respect. This theme unites papers coming from a range of perspectives and engaging with a whole series of cultural interchanges and conflicts. It brings together work on a wide range of peoples – Latins, Byzantines, Muslims, and Jews – commenting on and writing about each other, as well as a wide variety of different genres, from theology to farce. 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